I've been a fan of Locrian since I first saw them - probably not a surprise for a veteran pair whose performance consists of incredibly building passion, raw volume, and sound ritually and emotionally evocative throughout their work.
I've often found that a vantage point at the top of a PA speaker is often a perfect way of experiencing Locrian, but last night at the Mopery in Chicago I couldn't help but add a semi-prone form of self-reflection and blind, thoughtless emotion. It comes through in the recordings on Drenched Lands.
This recorded material spends a great deal of time away from the walls of sound that I'm accustomed to seeing Hannum and Foisy create live, but perfectly captures the atmosphere of their rituals and tells a story that resonates perfectly with the almost colorless images of human loss and civilisational decay in the oddly black metal case. And when Hannum first cuts through the ache of their soft sounds with passionate screams in "Barren Temple Obscured By Contaminated Fogs," the images of "stagnant pools [infinite depths]/among the pylons" come through as a painful, tearful memory of an empty, lonely dream.
Locrian has no problem carrying their emotions and visions through this masterful work and through all 30 minutes of the closing track, "Greyfield Shrines." Locrian explores new and intense sounds and images throughout this work, and I'm still reeling in the experience.