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Gog is some incarnation of soft, ambient doom. Hammered strings float over a backdrop of dark, clean chords and soft ambiance. Slowly, it builds into hanging, distorted doom. Not a thing to complain about. There aren't any vocals, aside from a spoken word piece at the end of the second track, which really improves the experience in this situation. There's always a wall of drifting sound and feedback hanging from existing chords, but the front edge of the musical movement is always heavy and clearly audible. Definitely a must for anyone who likes Nadja and wants something heavier and darker.
Both sides of this split are quite desirable, in wildly different ways, for fans of ambient, dark, noisy metal. Give it a listen.
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