Nine albums. Nine fucking albums. That's how many releases Nadja has already put out THIS YEAR (and we're only at the half-way point!). Most artists/band never release that amount in their existence. Saying it's prolific is an understatement. But suprisingly all the material released by duo (husband and wife too) Aidan Baker and Leah Buckareff is quality stuff. Ok, some might not completely agree with that previous statement, saying some of the material can be too samey, but fuck it, I love everything they've put out, granted ever since hearing "Truth Becomes Death" some odd years ago i've been a HUGE fan. Just couldn't resist some kind of dreamy drone/doom/dirge/ambient/post-rock/shoegaze hybrid! It manages to be totally blissed out AND crushing at the same time. So with that said, onto one of the latest of Nadja's releases.
First off, something for those already familiar with Nadja that will certainly raise an eyebrow or two is the art, which certainly gets one ready to expect something different from the music. Cartoonish drawings of chickens, half-filled bottles and chairs with trees growing through a hole in the middle of them adorn the cover and insides of the album. Another quick glance will most likely elicit even more eyebrow raising as in, this album has a real drummer on it! This being the first album to date without programmed drums. And to date, this is probably the most organic sounding of Nadja's releases. Guitar takes to the back burner, smeared into more of an ambient blur than usual, present but never overpowering the other instruments although it menacingly rears its head from time to time. The focal point of "Desire in Uneasiness" is the bass and drums, which usually end up locking into a kind of laidback groove at some point in every song, wanting to stay that way and drift forever. A lack of vocals can be noticed too, which is also a tad unusual for Nadja. Though, it works quite well as I don't see how Aidan's vocals would fit over the "jams" provided. "Desire in Uneasiness" is a definite step forward for noticeable change, one that works rather well and see's a band able to have a recognizable sound and yet move forward in their approach.Something not just for obsessives (like me) and completists. Something that could work to win over new fans. Something to show the skeptics Nadja still has a few tricks up its sleeve.
Released through Crucial Blast.